From rooftop bashes and acquisition talks to staff clashes and layoffs, Hipstamatic’s founders and ex-employees describe the startup’s losing struggle to keep pace with Instagram, Facebook, and others in the white-hot photo-sharing space. In the first of three installments, Twitter comes calling, but Hipstamatic decides to go social on its own.
Like many photojournalists, I’ve been shooting with my iPhone for a while. Using a mobile phone allows me to be somewhat invisible as a professional photographer; people see me as just another person in the crowd. Invisibility is particularly useful in the eastern part of the Democratic Republic of Congo, where a potpourri of armed groups and governments have used conflict minerals as the latest way to help fund the warfare, atrocities and repression that have afflicted the area for more than a century.
Chicago Tribune staff photographer Scott Strazzante’s “Shooting from the Hip” blog features street-photography from the neighborhoods of Chicago with unpredictable compositions that offer a genuinely candid look at the people and their lifestyles.
What will the Hipstamatic Foundation for Photojournalism do for the industry?
For Stephen Mayes, director of VII Photo, the smartphone could revolutionise journalism. “It’s fascinating to see how people are adapting to this new tool and, I think, the smartphone camera will develop its own life.”
You can take any user interface in the world, and whether it’s gorgeous and intuitive or ugly and clunky, there’s one unifying factor that will right pretty much any wrong: speed.
In 2009, however, the two were failing graphic designers with $1.83 to their professional names and a minuscule, freezing-cold St. Paul office where they had shifted to app development out of desperation.